Let me guess…you are a jazz guitar player and have met a talented jazz singer you’d like to start gigging with…or…you just heard Joe Pass and Ella Fitzgerald together and would like to start something similar with a singer…or…you realized you can make lots of cash teaming up with a jazz singer and playing in duo…
These are usual situations that, as a jazz guitar player you might have encountered or that will certainly appear as possibilities during your career.
If you have never accompanied a jazz singer and are seeking advice on how to do it effectively, read on…I’ve played with jazz singers for years and I am sure I can give you a few tips.
Firstly, before you pick your singer, ensure that she/he has her own charts, which doesn’t mean that she has photocopies of the real book. She must have charts transposed into her own key and, possibly, with clear arrangements.
This is SO critical!! especially if you are just starting and have no experience. Having Intros and outros for each tune, will give you a guideline to follow and make your rehearsals so much simpler!
Remember, there are tons of singers out there. Take your time to select the one whom it will be easier for you to work with on a regular basis.
Ok, with this out of the way, here are a few tips on how to accompany a jazz singer with taste:
1) Learn the melody of each tune in the repertoire. It sounds obvious, yet, you will be amazed to know that the charts that most musicians usually end up playing from show only chord changes. Not knowing the melody of the song will give you absolutely no idea on how to support your singer with both rhythmic and melodic ideas.
2) Learn to play in at least two different styles: swing and bossa nova. Most singers have both swing and Latin songs in their repertoire and will expect that you know how to accompany in these two syles. This will take you some time. Listen to Joe Pass, Martin Taylor and Tuck Andress and start getting a feel of how a solid and creative guitar accompaniment sounds like. Then, I suggest that you shop around for a finger style guitar method. There are quite a few out there. I personally would suggest to study transcriptions from Joe Pass to learn both Jazz guitar accompaniment and soloing. Martin Taylor has published a book on finger style that you can buy for a few dollars and that will keep you busy for years! You can study Brazilian guitar on a book by Nelson Farias. The book comes with a CD and is a step-by-step training on the topic (be patient!).
3) Keep things VERY simple when you accompany a jazz singer. I remember playing with a singer who kept asking me for more melody in my accompaniment. So I started playing more melody and things got even worse! Then I started experimenting with simple guide tones (3rd and 7th) and, all of a sudden, he was the happiest human being on earth…
4) Ensure that your timing is strong! You must be a reference for the singer and ALWAYS know where (in the song) you are. As I said, knowing the melody of the song will help your singer hear that you are both in the same place.
5) Take short solos! if you are playing a duet, playing long solos will pull attention from your singer, who is the one you are supposed to help spark. Use lots of chords in your solos, linking them with single lines. Play just one section of the song and cue your singer in when you are about to end your solo.
6) Be clear! play simple and extremely clear. If you have been playing with a pick all your life, start practicing fingerstyle and gradually combine bass lines, chords and melody.
Ok these are just a few guidelines that I hope will put you in the right direction. Again, be patient, and start building your fingerstyle skills one step at at a time.
Francesco Amico – jazz guitar
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